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#Avatar the last airbender episode 2 watch series
Last Airbender creators Michael Dante DiMartino and Bryan Konietzko planned the series from the start as a three-season story built around three major arcs, and because so much was planned in advance, they had the ability to lay seeds from the very beginning that let the characters flower organically over time. That Iroh/Zuko relationship is part of the rich emotional heart of Last Airbender, but it wouldn’t work so well without a long-term storytelling plan. The episodes to watch: “The Cave of Two Lovers” (season 2), “The Beach” (season 3) The characters actually develop over time Image: Nickelodeon But a lot of Last Airbender’s humor is based in quick-moving banter and rapidly changing situations, and it not only keeps the pace brisk, it helps establish the characters’ relationships - like when exiled Fire Nation prince Zuko keeps getting his towering rage and angst punctured by gentle jibes from his hilariously dry Uncle Iroh. Some of it is slapstick, like the running gag about the traveling cabbage vendor who always manages to be at the wrong place at the wrong time. Some of it is agreeably dorky, like when Aang - who’s been preserved in ice for a hundred years, and keeps expecting the world to be as he remembers it from the past - starts trying to show how hip and with it he is by busting out century-old Fire Nation slang.
Shows aimed at young people can be pretty goofy or over-the-top, but Last Airbender is slyer about its humor. The episodes to watch: “The Storm” (season 1), “The Avatar and the Fire Lord” (season 3) There’s a particular use of humor Image: Nickelodeon
And the show gives them a challenge on a Wagnerian scale - they aren’t just trying to save the world, they’re trying to break a cycle that began generations before most of them were born. But a lot of the joys of Last Airbender is the ways it upends these simple, familiar tropes, and finds the deeper ambitions and character conflicts behind all three basic archetypes. Everything about their first encounter feels like standard-issue kids’-show stuff. In the first episode, he encounters the young waterbender Katara, who comes across as a Hermione Granger-style tryhard girl boss sidekick, and her arrogant brother Sokka, an impulsive wannabe warrior and comic-relief butt-monkey. Aang is a chipper Chosen One type with a funny animal sidekick. The show’s structure follows that fractal quality, beginning with a simply explained but narratively expansive goal: A young boy named Aang who has mastered the elemental control of air through a martial art called “airbending” must complete his training in waterbending, earthbending, and firebending so that he can bring balance to his war-torn world and stop the rampaging Fire Nation from conquering the entire planet.īut that plot launches in the first season in a way that seems childish and familiar. A standard children’s-show setup amounts to something spectacular Image: NickelodeonĪvatar: The Last Airbender’s core premise simultaneously spans a hundred years of fictional history and is simple enough to be summed up in the first 40 seconds of its opening sequence. Why do people love Avatar: The Last Airbender so much? Why should you watch it now if you didn’t back when it started? Here are the seven core elements (sorry, we couldn’t pick just four) that make the Nickelodeon series such an engrossing watch for audiences of any age. The arrival of the animated series Avatar: The Last Airbender on Netflix has set social media ablaze, as fans gear up for binge-driven rewatches, and fans-to-be look at all the ranting and raving about the show with a curious eye.
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